They
influence our decisions without us knowing it. They numb our senses without us
feeling it. They control our lives without us realizing it. They Live!
John
Carpenter’s cult classic They Live is headed for special
edition Blu-ray and DVD this November. The announcement comes amidst ongoing
speculation that the movie is to be remade -- or rather rebooted -- in the near future by Cloverfield
director Matt Reeves.
Based on Ray Nelson's 1963 short story Eight O'Clock in the Morning, Carpenter’s
1988 movie depicted a blue collar
drifter (played by Roddy Piper) who finds a pair of sunglasses that allows him
to see the stark reality of corporate America, where shops are covered with
subliminal signs that say “Submit,” “Stay Asleep,” and “Do Not Question
Authority.” The world is being secretly run in this Orwellian fashion by
invading aliens who are allied with the US establishment -- the human elite having
been promised tickets off-planet when Doomsday arrives.
Carpenter
pulled no punches in describing the film's politics. “I looked at the country
and thought we were in really deep trouble. This seems like fascism to me, the
rise of the fundamentalist right and the kind of mind control they're putting
out, the kind of presidency Reagan has had. We haven't got a chance.”
Unfortunately
for Carpenter, his film’s searing vision may have been a key contributing factor
in its undoing at the box-office. They Live was pulled just two weeks
after its November 4th, 1988 release date. While Carpenter blamed audiences who
“don't want to be enlightened,” co-star Keith David had a more conspiratorial
take on the film’s failure: “not that anybody’s being paranoid,” said David, “but
it was interesting that They Live was
number one at the box office... and suddenly you couldn’t see it anywhere -- it
was, like, snatched.”
They
Live
opened at number one at the US box office and easily made its $4m investment
back over its first weekend. By the second weekend, it had dropped to fourth place
but still made $2.7m. It also received good reviews, with the notable
exceptions of the two newspapers at the very centre of power -- the New York Times and the Washington Post.
It’s
easy to see why Keith David was suspicious of higher level involvement. As part
of the film’s marketing campaign, the distributor, Universal Pictures,
published an advert that showed a skeletal alien standing behind a podium in suit
and tie, with a mop of hair strangely similar to that of the Vice President-elect
of the United States -- the much maligned Dan Quayle -- who Carpenter elsewhere
called “a prototype: mindless.” The ad was headlined: '”I know human beings.
Human beings are friends of mine. You sir, are no human being!'” The
Presidential election had taken place just a few days prior on November 8th
prompting one major US paper to comment: “If the new administration is starting
a list of enemies, Carpenter may have put himself at the head of the line.”
Regardless
of the circumstances of They Live’s abrupt termination, it
is clear that it was way out in the blue yonder politically, leaving it exposed
and defenceless. Sponsors were unwilling to provide product placement,
including Rolex, who Carpenter had asked to be associated with the wrist watch
used by the aliens as a two-way radio. “We tried to use real advertisements; I
wish I could get a little of that,” Carpenter said, “but it's a film that's
anti-advertising; no one wanted to give their permission.”
So,
will Matt Reeves’ rumoured upcoming They Live reboot face similar
obstacles? Unlikely, as the director seems to be opting for a de-radicalized
take on his source material, telling Deadline:
“I saw an opportunity to do a movie that was very point-of-view driven,
a psychological science fiction thriller that explores this guy’s nightmare… Carpenter
took a satirical view of the material and the larger political implication that
we’re being controlled. I am very drawn to the emotional side, the nightmare
experience with the paranoia of
Invasion of the Body Snatchers or a Roman Polanski-style film.”
A disappointing approach, perhaps, but a logical one. If
the radical politics of Carpenter’s original vision struggled to breathe in the
corporate Hollywood of yesteryear, today they wouldn’t stand a chance.
They Live Special Edition arrives on Blu-ray and DVD on November 6. For details, see here.


They Live has a very special place in the heart of every Fortean and Parapolitician. And yes, there are even those who chose to take the message in a very literal way.
ReplyDeleteI don't know if a reboot of They Live stands much of a chance, though. After all, the upcoming film Branded feels like a rightful heir to Carpenter's vision.
http://youtu.be/SKUTs3w9LEk
Will the American audience care to have another film reminding them of their drone-like consumerist behavior? It's one of the main reasons Wall-E was so despised in the US.
"They Live Special Edition arrives on Blu-ray and DVD on NOVEMBER 6."
ReplyDelete11/6, 9/11.
:-)
I know I owe an article here, and I've had in the back of my mind to write about this movie. I've come to really love this movie. When I first saw it I almost turned it off; it was kind of too cheap TV production values. But that's Carpenter's style, and the music hooked me, so I stuck with it. Glad I did, and it's become one of my favorite films. I find Matt Reeve's comments very interesting -- fodder for Fortean, para-political saucer heads for sure.
ReplyDelete"It's one of the main reasons Wall-E was so despised in the US."
ReplyDeleteI thought people loved Wall-E here in the USA. Yeah, I'm pretty sure they did.
That was my impression as an outsider. I read a lot of reviews back in the day that showed no love for the Dystopian future presented by Andrew Stanton, with fat Americans turned into even fatter Buy-n-Largians ;)
DeleteI <3'd Wall-E, and even wrote a rather lengthy post about it in my blog, in case you care to read it.